[At first Abbacchio opens his mouth like he's going to interrupt with some other point, but he thinks better of it. And when he shuts up and listens, he reaches the same conclusion anew for each of Bruno's points; he's still right. They're all falling apart in different directions, himself included, and they do still perpetuate Bruno's place among them as the leader and the fixer. That doesn't shine a flattering light on any of them to hear Bruno say it himself, but that...
Saying it himself is the point. Abbacchio shifts his weight and leans back against the railing as he listens in silence, and he thinks it's lucky, in a backwards way, that it's him standing here instead of one of the others. Abbacchio already knows their family is a mess, even if he's arrived at the right conclusion in the wrong way.
And more importantly--Abbacchio isn't going to apologize or try to defend them. They've all done it, so why act otherwise now? He shrugs, hands palm-up, shaking his head.]
We're a pack of bastards with bad habits-- that's what we've always been. You're not wrong about us. But what you've always done doesn't apply anymore because you died and now things have to change, if you'd actually let them. How the hell can you tell me things aren't the way they were and then insist on doing the same shit you always do?
[Does that make any fucking sense because please, enlighten him if it does. Everything is different now in ways no one, Bruno included, was prepared to deal with, and Bruno isn't excluded from the fallout. This adjustment period is difficult enough without adding that to the mix.
He shifts his shoulders again, tense; there's something else that bothers him about this insistence that Bruno has to keep them together-- that they're all woefully inadequate for the job of keeping Giorno together too. It's not petty, though. It's not. But he looks steadily straight ahead and away from Bruno anyway, as it's not the easiest point to bring up.]
You can't take care of things for us-- for Giorno and Mista if they ever get out of here and go home. And Mista won't do it, [a slight tilt of his head; yeah that's true, Mista is too up Giorno's ass all the time-] so sooner or later Giorno has to deal with his own shit without your help.
[Giorno taking charge in Napoli is not Abbacchio's primary concern, but if they're talking about how Bruno feels some responsibility to lead them even if it's only in subtle ways--well. Stop it, for fuck's sake, since it's led to this. And from what vague details Abbacchio picked up from Izabel just earlier tonight, he's starting to think,] Giorno can't get his act together because you're letting him let you do his job for him.
[That isn't moving forward.]
Saying it himself is the point. Abbacchio shifts his weight and leans back against the railing as he listens in silence, and he thinks it's lucky, in a backwards way, that it's him standing here instead of one of the others. Abbacchio already knows their family is a mess, even if he's arrived at the right conclusion in the wrong way.
And more importantly--Abbacchio isn't going to apologize or try to defend them. They've all done it, so why act otherwise now? He shrugs, hands palm-up, shaking his head.]
We're a pack of bastards with bad habits-- that's what we've always been. You're not wrong about us. But what you've always done doesn't apply anymore because you died and now things have to change, if you'd actually let them. How the hell can you tell me things aren't the way they were and then insist on doing the same shit you always do?
[Does that make any fucking sense because please, enlighten him if it does. Everything is different now in ways no one, Bruno included, was prepared to deal with, and Bruno isn't excluded from the fallout. This adjustment period is difficult enough without adding that to the mix.
He shifts his shoulders again, tense; there's something else that bothers him about this insistence that Bruno has to keep them together-- that they're all woefully inadequate for the job of keeping Giorno together too. It's not petty, though. It's not. But he looks steadily straight ahead and away from Bruno anyway, as it's not the easiest point to bring up.]
You can't take care of things for us-- for Giorno and Mista if they ever get out of here and go home. And Mista won't do it, [a slight tilt of his head; yeah that's true, Mista is too up Giorno's ass all the time-] so sooner or later Giorno has to deal with his own shit without your help.
[Giorno taking charge in Napoli is not Abbacchio's primary concern, but if they're talking about how Bruno feels some responsibility to lead them even if it's only in subtle ways--well. Stop it, for fuck's sake, since it's led to this. And from what vague details Abbacchio picked up from Izabel just earlier tonight, he's starting to think,] Giorno can't get his act together because you're letting him let you do his job for him.
[That isn't moving forward.]
[A master wordsmith Abbacchio is not, but he thinks he got the right idea across anyway, if not totally precisely. So they're working it out somehow -- alright, fine. But they could be smarter about it, if Giorno's still dreaming up flashbacks to that one night. Abbacchio has said it before, that Giorno not being in top form is dangerous and not only for himself, and he stands by that. He'd bring it up again, he thinks, if they weren't suddenly talking about him.
It's surprising. Abbacchio blinks and looks at Bruno while he speaks, his brow furrowed. He's been terrible to Giorno and he knows and understands that. Giorno wanted him to get angry--he knows that too, frowning as he remembers Giorno offering to meet him somewhere private, somewhere Abbacchio could get as angry as he wanted and nobody would come around to stop him. But he also remembers telling him in no uncertain terms to fuck off in response to that, to not use Abbacchio as some kind of vehicle for his martyrdom about all that happened before any of them arrived here. So, really, if Giorno wants to try to manipulate them, that's still his own problem.
None of that changes the fact that he has nothing left to say when Bruno is through. All he can come up with is it isn't fair to use that as a defense for being the leader and the fixer all the time - maybe Giorno shouldn't have done what he did in the first place, and things would have gone differently without the need for such hasty restructuring of all their pieces. But things have fallen where they are, and Abbacchio is petty and mean but he isn't a child, so he says nothing.
He was ready to be told he was wrong or at least not completely right. He could have thought of something to say if Bruno had stopped after the implication of his part in the imbalance between Bruno and Giorno right now. Even being put up against the idea that Giorno's problems stem partially from him (and it's true that he's guilty, it is, it is, Giorno fucked up and people died but how better than Giorno is Abbacchio in that regard anyway--) he could have taken. Sheer stubbornness would give him a way to argue that, yes, he would come around without any nudging from Bruno.
But.
'I would never risk you on a maybe.'
He has nothing; he expected a dozen things and none of them were that and he can't think of anything to say to it that actually sounds true. Abruptly he realizes he's been staring at Bruno in silence for too long a pause and looks down at the railing.
Shit.]
This still isn't about me.
It's surprising. Abbacchio blinks and looks at Bruno while he speaks, his brow furrowed. He's been terrible to Giorno and he knows and understands that. Giorno wanted him to get angry--he knows that too, frowning as he remembers Giorno offering to meet him somewhere private, somewhere Abbacchio could get as angry as he wanted and nobody would come around to stop him. But he also remembers telling him in no uncertain terms to fuck off in response to that, to not use Abbacchio as some kind of vehicle for his martyrdom about all that happened before any of them arrived here. So, really, if Giorno wants to try to manipulate them, that's still his own problem.
None of that changes the fact that he has nothing left to say when Bruno is through. All he can come up with is it isn't fair to use that as a defense for being the leader and the fixer all the time - maybe Giorno shouldn't have done what he did in the first place, and things would have gone differently without the need for such hasty restructuring of all their pieces. But things have fallen where they are, and Abbacchio is petty and mean but he isn't a child, so he says nothing.
He was ready to be told he was wrong or at least not completely right. He could have thought of something to say if Bruno had stopped after the implication of his part in the imbalance between Bruno and Giorno right now. Even being put up against the idea that Giorno's problems stem partially from him (and it's true that he's guilty, it is, it is, Giorno fucked up and people died but how better than Giorno is Abbacchio in that regard anyway--) he could have taken. Sheer stubbornness would give him a way to argue that, yes, he would come around without any nudging from Bruno.
But.
'I would never risk you on a maybe.'
He has nothing; he expected a dozen things and none of them were that and he can't think of anything to say to it that actually sounds true. Abruptly he realizes he's been staring at Bruno in silence for too long a pause and looks down at the railing.
Shit.]
This still isn't about me.
[Abbacchio doesn't look up until Bruno touches his arm, and even then he looks up slowly, just listening. He doesn't move any more than that -- even if he wanted to, all of him feels heavy with the litany of reasons he does not deserve the trust and acceptance Bruno gives to him at all. He can't lift his other hand to touch Bruno's for the weight of it, although the weight on his arm is an entirely different kind that makes him want more than anything to move--
He stands there. He listens. It's strange but half of Bruno's words sound like they must be for someone else, so even though the words are a kind of appraisal, there's a lapse in time before they really sink in, a split-second to think.
Before arriving in this city someone whose forgiveness he can never convince himself he deserves told him he'd done well, that he'd managed to do the right thing finally. The fever dream of a dying man or no (honestly, he can believe only so many things), that's hung over him for weeks now as he wonders if it's true. He still doesn't know. But Bruno, Bruno is here and real, and even if Abbacchio doesn't think he'll ever deserve him either, he's going to try. To believe it or to be someone who doesn't have to convince himself, he's not sure yet--but something else has changed and he's only just realizing it now.
He can move, and lifts his hand to bump the back of it and his knuckles into Bruno's arm. (Honestly he's doing all he can manage in a single day, alright.) He takes a deep breath and breathes it out shortly, the barest suggestion of a laugh.]
You sure? I'm kind of an asshole.
[But he doesn't move his hand away. Bruno is so far ahead of him, but if Abbacchio can touch him like this then he must have done something worth doing to get here. Whatever that is. This.
Each of his promises to Bruno thus far has been focused on following him anywhere. If he's going to try, he can start there. What had Izabel said to him when they met? Something she meant about Giorno, but about someone who can forgive all of your bullshit-- Start there.]
... Buccellati, [but not there, no, apparently not] I'm with you. In this place, or wherever-- it's not "maybe," it's always.
He stands there. He listens. It's strange but half of Bruno's words sound like they must be for someone else, so even though the words are a kind of appraisal, there's a lapse in time before they really sink in, a split-second to think.
Before arriving in this city someone whose forgiveness he can never convince himself he deserves told him he'd done well, that he'd managed to do the right thing finally. The fever dream of a dying man or no (honestly, he can believe only so many things), that's hung over him for weeks now as he wonders if it's true. He still doesn't know. But Bruno, Bruno is here and real, and even if Abbacchio doesn't think he'll ever deserve him either, he's going to try. To believe it or to be someone who doesn't have to convince himself, he's not sure yet--but something else has changed and he's only just realizing it now.
He can move, and lifts his hand to bump the back of it and his knuckles into Bruno's arm. (Honestly he's doing all he can manage in a single day, alright.) He takes a deep breath and breathes it out shortly, the barest suggestion of a laugh.]
You sure? I'm kind of an asshole.
[But he doesn't move his hand away. Bruno is so far ahead of him, but if Abbacchio can touch him like this then he must have done something worth doing to get here. Whatever that is. This.
Each of his promises to Bruno thus far has been focused on following him anywhere. If he's going to try, he can start there. What had Izabel said to him when they met? Something she meant about Giorno, but about someone who can forgive all of your bullshit-- Start there.]
... Buccellati, [but not there, no, apparently not] I'm with you. In this place, or wherever-- it's not "maybe," it's always.
[Likewise, Abbacchio waits, assuming Bruno's hand in his will be another brief contact like the touch to his arm before. When it isn't he relaxes - he doesn't actually remember tensing up - just minutely, letting his grip fit more naturally against Bruno's in the same moment his hand is squeezed.
He is not going to say a word about that, lest he shatter whatever it is that's inspired Bruno to take his hand. Instead he focuses on the rest; 'I'll be okay.' This one he believes, with everything unsaid backing it. The resolution is a long way off and any number of things can go wrong, and quickly, but if these intangible somethings - Bruno's will to be okay and his own private, uncertain resolve to try - are where they have to start, then that's that.
They still aren't done. But even Abbacchio can see that this is better than spinning wheels and going nowhere. Maybe for now the hows and whens can be left to be worked out in due time.
Or maybe Abbacchio is drained, and the intangibles can't hold his interest quite like the very tangible feel of a hand on his, and there isn't anything he can pick out to argue over in that admission, anyway.]
I know. [I trust you. He considers then adds,] That's probably enough to satisfy the rest if they start in again.
[This is Abbacchio #trying. But honestly, he lacks all of the demand his voice carried in the earlier part of this conversation - that if is important.]
He is not going to say a word about that, lest he shatter whatever it is that's inspired Bruno to take his hand. Instead he focuses on the rest; 'I'll be okay.' This one he believes, with everything unsaid backing it. The resolution is a long way off and any number of things can go wrong, and quickly, but if these intangible somethings - Bruno's will to be okay and his own private, uncertain resolve to try - are where they have to start, then that's that.
They still aren't done. But even Abbacchio can see that this is better than spinning wheels and going nowhere. Maybe for now the hows and whens can be left to be worked out in due time.
Or maybe Abbacchio is drained, and the intangibles can't hold his interest quite like the very tangible feel of a hand on his, and there isn't anything he can pick out to argue over in that admission, anyway.]
I know. [I trust you. He considers then adds,] That's probably enough to satisfy the rest if they start in again.
[This is Abbacchio #trying. But honestly, he lacks all of the demand his voice carried in the earlier part of this conversation - that if is important.]
[No lie though, call him first if someone's getting their mouth zipped shut. He quirks an eyebrow at that, amused for all he still doesn't laugh. That Bruno's willing to table this discussion for now with something light-hearted relieves Abbacchio in a way he didn't anticipate. He hadn't actually thought this through until the end - throwing the issue down and waiting to see what reaction he got was about all the planning he did. It would have been incredibly easy to make things worse and he's so, so relieved that he didn't. Bruno is alright and will be better; enough.
All things considered, this moment could be a lot more tense. The only thing that qualifies is Abbacchio's focus zeroing in on their hands as he steps away from the railing himself, but another moment is all it takes for his grip to relax again.]
As riveting as standing out here alone in the dark would be, [he gives the railing one last pat with his free hand, like it's a dear friend that really helped out with this.] I'm ready to go.
All things considered, this moment could be a lot more tense. The only thing that qualifies is Abbacchio's focus zeroing in on their hands as he steps away from the railing himself, but another moment is all it takes for his grip to relax again.]
As riveting as standing out here alone in the dark would be, [he gives the railing one last pat with his free hand, like it's a dear friend that really helped out with this.] I'm ready to go.
Bruno?
[His voice comes quiet, reserved, even more so than usual. Not as though he's holding back emotion; simply very tired. He's had a long night.]
I'd like to speak with you. I'm going to make up a basket with breakfast things and go down to the beach . . . and if you want to meet me there, that would be - good. But if you don't, that's your choice.
That's all. I hope you slept well.
[His voice comes quiet, reserved, even more so than usual. Not as though he's holding back emotion; simply very tired. He's had a long night.]
I'd like to speak with you. I'm going to make up a basket with breakfast things and go down to the beach . . . and if you want to meet me there, that would be - good. But if you don't, that's your choice.
That's all. I hope you slept well.
[Bruno says he'll be there, and Giorno trusts him on his word, as always. So he's set up by the time he gets there - a simple but more than ample spread of breakfast pastries and fruit and coffee, leaning a little heavily on sweet things, but he's aware this isn't going to be pleasant and is trying to buffer for it. Everything's laid out on a blanket a little too close to the water, because the proximity reminds him of how the beach is a safe space, how everything will be okay in the end - how people with a deep bond can't be ripped asunder by a few mistakes. So he hopes, anyway.]
[When he sees Bruno, he smiles, and he does look very tired, but all signs of injury from last night's fight are gone like they never were.]
I was. It's very complicated and a little stupid, but I'll tell you what happened, and I'm certainly not going to avoid you anymore.
[He pats the blanket.]
Sit?
[For Bruno, not an order - not because he defers to him, in this case, but because he would rather err on the side of too much respect than too little, when he's made so many mistakes recently.]
[And because he loves him. That, too, of course.]
[When he sees Bruno, he smiles, and he does look very tired, but all signs of injury from last night's fight are gone like they never were.]
I was. It's very complicated and a little stupid, but I'll tell you what happened, and I'm certainly not going to avoid you anymore.
[He pats the blanket.]
Sit?
[For Bruno, not an order - not because he defers to him, in this case, but because he would rather err on the side of too much respect than too little, when he's made so many mistakes recently.]
[And because he loves him. That, too, of course.]
[That look on his face, the honesty there, is so beautiful and so important that it really does make Giorno's chest hurt. He has no illusions that this conversation is going to be easy, and he's very tired and very sad and full of regrets, but Jotaro was right - this isn't going to tear them apart, and he has to trust in their bond in order to move forward.]
[So his smile fades a little, but not completely, and he pulls his own coffee forward but doesn't take a sip yet, just holds the warm thermos in his hands and watches the steam rise from the open lip.]
So.
I must have run into the cat. Anyway . . . what I forgot was you. Not everything about you, but that you died. I think my mind filled in the gaps, so that I assumed that you'd just left us after everything was over. Thinking that, I avoided you, less because I was angry and more because I felt you'd made your choice, and it was to stay away from me. From us. Mista and Trish, too. So why push it?
Izabel and I were together in the mirrors. We had to decide whether to save you . . .
[He sighs a little, blinking down at the surface of his coffee through the top of the thermos.]
And then I remembered, and I didn't really know what to do with the fact that I'd forgotten. I should have come to you sooner, probably, but I didn't, and that is what it is.
[So his smile fades a little, but not completely, and he pulls his own coffee forward but doesn't take a sip yet, just holds the warm thermos in his hands and watches the steam rise from the open lip.]
So.
I must have run into the cat. Anyway . . . what I forgot was you. Not everything about you, but that you died. I think my mind filled in the gaps, so that I assumed that you'd just left us after everything was over. Thinking that, I avoided you, less because I was angry and more because I felt you'd made your choice, and it was to stay away from me. From us. Mista and Trish, too. So why push it?
Izabel and I were together in the mirrors. We had to decide whether to save you . . .
[He sighs a little, blinking down at the surface of his coffee through the top of the thermos.]
And then I remembered, and I didn't really know what to do with the fact that I'd forgotten. I should have come to you sooner, probably, but I didn't, and that is what it is.
[He does take a sip of his coffee, then, as Bruno processes what he's said. As usual, it doesn't take that long. They do communicate well, the two of them, at least most of the time - best when they're talking about other people, or logistics instead of feelings. Bruno hears the things he says as well as the things he doesn't say, his intentions as well as his words.]
[He should have. But he didn't. And that is what it is, and he thinks that maybe he's learned from it. Learned a lot of things. Like how to admit that he's wrong.]
Honestly, I don't think that she's doing well. She came to me in a panic after misunderstanding something Jotaro said - well, it's up to her to tell you about that, but she's jumpy. And I am too.
[And Jotaro has taken the brunt of that from both of them. So that's another apology on his list.]
My intuition tells me that she needs a little more time. But ultimately that's a decision only you can make. Your relationship is between the two of you, and unless one of you proves to be a danger to the other, which you won't, it's not my responsibility or my place to get involved.
She's afraid. That's what I can tell you for sure. This, the idea of what happened to you, what I did to you, and having to see it like she did, it's hitting her a lot harder than she's letting on - until it gets to be too much and she snaps, like she did a few days ago.
[He should have. But he didn't. And that is what it is, and he thinks that maybe he's learned from it. Learned a lot of things. Like how to admit that he's wrong.]
Honestly, I don't think that she's doing well. She came to me in a panic after misunderstanding something Jotaro said - well, it's up to her to tell you about that, but she's jumpy. And I am too.
[And Jotaro has taken the brunt of that from both of them. So that's another apology on his list.]
My intuition tells me that she needs a little more time. But ultimately that's a decision only you can make. Your relationship is between the two of you, and unless one of you proves to be a danger to the other, which you won't, it's not my responsibility or my place to get involved.
She's afraid. That's what I can tell you for sure. This, the idea of what happened to you, what I did to you, and having to see it like she did, it's hitting her a lot harder than she's letting on - until it gets to be too much and she snaps, like she did a few days ago.
[It's difficult to listen to this. It's hard and it hurts, but he has to listen to it anyway - not for Bruno, or not just for Bruno, but for himself, because these are things he needs to hear. Just like last night he wanted to reach for Mista and took the hard way instead, because it was the right way, because he needed it. Healing hurts, sometimes.]
[So he listens, and he doesn't bother to hide the way he winces at certain parts - at peace, happy, nothing to forgive. Not because they're bad, but because they're overwhelming. One hand falls to his side, fingers curling in the sand; after a few moments, he nods.]
I appreciate you saying that. I think that . . . if there's one thing about the entire situation that I'm proud of, besides getting rid of Diavolo, besides keeping Mista and Trish safe, it's that. That you were able to find peace. That you were able to be happy, even if it was only for a few minutes.
At the same time - Izabel asked me if I was happy, if it was worth it, and I told her the truth: that I am sometimes, a lot of the time, that I love my life and my work and I love Mista and Trish with all of myself, but there's nothing in the world worth losing you. Any of you. And Abbacchio wasn't happy. And Narancia wasn't ready. In the end, what I wanted was to keep my family safe, and I wasn't able to do that.
[Another sigh, soft and almost muffled in the sound of the wind. He brushes a few stray hairs off of his face and looks out at the ocean.]
That wouldn't have been my first goal when I met you. It would have been a priority, but not the first one. I learned to connect, and that was good, but I never really learned how to let go. There was never anyone I cared about to let go of before.
[All of this is dancing around the point, of course. It's important, but it's not why he came here. And he doesn't want to lie, even by omission, so he looks at Bruno again and drops his chin slightly, not in submission but in acknowledgment of a mistake made.]
You know what I am by nature - that when I love people, when I want the best for them, I want to rearrange their lives to make them happy. As though they're dolls; as though I have some right to their memories or their pain or their connections. That is wrong, whether I mean it to be or not.
I'd like to apologize to you, if you're ready to hear an apology. But if you're not, I understand.
[So he listens, and he doesn't bother to hide the way he winces at certain parts - at peace, happy, nothing to forgive. Not because they're bad, but because they're overwhelming. One hand falls to his side, fingers curling in the sand; after a few moments, he nods.]
I appreciate you saying that. I think that . . . if there's one thing about the entire situation that I'm proud of, besides getting rid of Diavolo, besides keeping Mista and Trish safe, it's that. That you were able to find peace. That you were able to be happy, even if it was only for a few minutes.
At the same time - Izabel asked me if I was happy, if it was worth it, and I told her the truth: that I am sometimes, a lot of the time, that I love my life and my work and I love Mista and Trish with all of myself, but there's nothing in the world worth losing you. Any of you. And Abbacchio wasn't happy. And Narancia wasn't ready. In the end, what I wanted was to keep my family safe, and I wasn't able to do that.
[Another sigh, soft and almost muffled in the sound of the wind. He brushes a few stray hairs off of his face and looks out at the ocean.]
That wouldn't have been my first goal when I met you. It would have been a priority, but not the first one. I learned to connect, and that was good, but I never really learned how to let go. There was never anyone I cared about to let go of before.
[All of this is dancing around the point, of course. It's important, but it's not why he came here. And he doesn't want to lie, even by omission, so he looks at Bruno again and drops his chin slightly, not in submission but in acknowledgment of a mistake made.]
You know what I am by nature - that when I love people, when I want the best for them, I want to rearrange their lives to make them happy. As though they're dolls; as though I have some right to their memories or their pain or their connections. That is wrong, whether I mean it to be or not.
I'd like to apologize to you, if you're ready to hear an apology. But if you're not, I understand.
[She doesn't know when Bruno sleeps. She doesn't really know when any of them sleep, or wake up, or if they're diligent about keeping any sort of schedule at all. But she knows that it's been too long since she's talked to him and that she misses him.
It's still a little daunting, but... Abbacchio had said there was progress, right? So maybe -- maybe if he was dealing with it, then she could, too.]
If you were going to have a planet all to yourself, what would you name it?
It's still a little daunting, but... Abbacchio had said there was progress, right? So maybe -- maybe if he was dealing with it, then she could, too.]
If you were going to have a planet all to yourself, what would you name it?
I don't mean all to yourself all the time I just mean it's yours. You can build as many houses and stuff on it for people to stay in as you want, it's your planet. And we'll definitely visit.
[She's confident that she can include Abbacchio, her fellow planeteer, in this. Not that Bruno will know that.]
Well?
[She's confident that she can include Abbacchio, her fellow planeteer, in this. Not that Bruno will know that.]
Well?
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